Two decades on from the release of With Love and Squalor, We Are Scientists rolled into Glasgows SWG3 for the first of three special UK shows celebrat
Read MoreOn Monday night at The Hydro in Glasgow, Nick Cave and the Bad Seeds delivered a transcendent performance, marking my third time experiencing the enigmatic artist in various guises. With a career spanning over 40 years, Cave has established himself as a towering figure in music, known for his haunting lyrics and theatrical stage presence.
As the band opened with "Bring Your Spirit Down," it was clear the Glasgow crowd was in for a treat. Within just three songs, the energy was palpable, setting the tone for a night steeped in emotion. The poignant "O Children" resonated deeply, reflecting on the tragic inability to protect the younger generations in todays world.
Caves storytelling ability shone through in "Jubilee Street," where he entertained the audience with the tale of a girl named V. His interaction with the crowd was warm and humourous, creating an intimate atmosphere despite the arenas size.
Throughout the set, Caves dynamic movements on stage - evoking passion and drama - were mesmerising. He seamlessly transitioned between the piano and the forefront of the stage, using it like a runway, capturing the audiences rapt attention. The highlight came during "The Mercy Seat," the first song I ever heard from the band, where Caves charisma and intensity built to a fever pitch.
Warren Ellis, ever the humble yet electrifying presence, matched Caves energy with his own, fist-pumping under the lights. The new track "Long Dark Night" blended seamlessly with classics like "Red Right Hand," where the crowd sang along, respecting every note and pause, showcasing the bands lasting impact.
Caves storytelling continued with a tale about Elvis Presleys birth in Tupelo, infused with local humour that endeared him to the crowd. The atmospheric "Cinnamon Horses" evoked the sounds of a storm, complete with dramatic lighting that mimicked rain, creating an almost theatrical experience.
The evening culminated with a masterful performance of "Into My Arms" on the piano, bringing the concert to a hauntingly beautiful close. Throughout the night, the synergy between Cave and the band was extraordinary; they knew exactly when to amplify his presence and when to support his quieter moments.
As the concert wrapped up, Cave even took time to sign vinyls and CDs for fans from the stage, leaving a lasting impression of accessibility and warmth. The night was a powerful reminder of Nick Caves profound artistry and his unparalleled connection to the audience. In Glasgow, 45 years later, he remains as captivating as ever, a true master of his craft.
Review by Craig McGee
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