The second month of 2025 is already underway and the sensation returns to the Scottish capital, James Bay dropped by to perform a memorial set at Edin
Read MoreThe Human Leagues performance at the Glasgow Hydro was a neon-drenched celebration of 80s nostalgia, transporting the audience to an era of synth-pop brilliance. The bands unique sound, blending futurism with heartfelt emotion, remains as distinctive today as when they burst onto the scene in Sheffield over four decades ago.
The stage setup screamed retro-futurism: a Miami Vice-meets-Tron aesthetic of neon grids and stark lighting perfectly complemented their mechanical yet deeply human sound. Vocalists Philip Oakey, Joanne Catherall, and Susan Ann Sulley were in top form, their voices weaving seamlessly through a setlist that paid homage to both the bands experimental beginnings and their chart-dominating heyday.
"Love Action (I Believe in Love)" was an early crowd-pleaser, this track set the tone for the night. The synths pulsated through the arena, drawing cheers as fans sang along to its declaration of emotional independence.
Oakey was a dynamic presence throughout, using every inch of the stage with an almost athletic enthusiasm - running, walking, and even indulging in the occasional light jog up and down the stairs. His energy was infectious and matched the vibrant mood of the audience.
"Behind the Mask" was a fascinating addition to the set, this track carried a unique story. Originally recorded as a demo for Michael Jacksons Thriller but left unused, it showcased The Human Leagues connection to the broader 80s music tapestry, with lyrics penned by Jackson himself and the Yellow Magic Orchestras unmistakable influence.
"The Lebanon" was a standout moment, this politically charged number brought a sudden shift in tone. Oakey donned a long leather jacket, delivering a performance that felt as relevant today as it did in the 80s. The tracks haunting undertones and poignant lyrics were a stark reminder of the bands ability to mix social commentary with pop sensibilities.
"Empire State Human" was introduced as a song written "very fast and a bit mental," it delivered a frenetic burst of energy. It was a nod to their early experimental days, showcasing the raw creativity that first brought them attention.
The show was a rollercoaster of emotions, with ballads like "One Man in My Heart" balancing darker tracks and heavier synth numbers. The crowd erupted when they launched into "Dont You Want Me", its dramatic, elongated intro making fans briefly wonder if the band had disappeared backstage for a break! The encore, featuring "Together in Electric Dreams", was pure magic, bringing the evening to a euphoric close.
The Human League proved their timeless appeal, delivering a performance that was both a throwback and a celebration of their enduring relevance. The Hydros modernity provided a stark contrast to the bands nostalgic sound, yet the band cheekily remarked that its the "best venue to play now," we all know she meant Barrowland Ballroom.
A perfect blend of 80s escapism and poignant relevance, this show was a testament to why The Human League remains the soundtrack to a generation - and beyond.
Photo gallery of the gig can be found here
Review by Craig McGee, photography by Stewart Fullerton.
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