Lana Del Ray - Hampden Park 26th June 2025

Lana Del Rey Brings Dreamy Spectacle to Glasgows Hampden Park

Lana Del Rey held a sold-out Hampden Park in her thrall on a mild Glasgow evening, delivering a performance that was theatrical yet understated - her first Scottish stadium show and a long-anticipated return for local fans.

Excitement built even before she appeared, with cheers greeting her opening lines sung from inside a stage set designed as a Southern-style house. Dressed in flowing white, she stepped through the front door to perform " Stars Fell on Alabama," drawing an enthusiastic welcome from the crowd.


Lana Del Ray at Hampden , picture courtesy of Roberto Ricciuti

She spoke briefly but warmly - "Youre so special, I love it here" - setting a personal tone that continued with "Henry, Come On," rendered with delicate control. Even in a vast stadium, Del Rey maintained an intimate presence.

A notable moment came with her cover of Tammy Wynettes "Stand By Your Man," showcasing the richness and clarity of her vocals. "Ultraviolence" followed, adding a darker, more stylised mood with pole dancers accentuating the songs noir tone - a striking visual centrepiece.

"Ride" drew a strong audience response, with many singing along. "Did You Know That Theres a Tunnel Under Ocean Blvd" offered a more reflective moment, performed in close harmony with her backing singers.


Lana Del Ray at Hampden , picture courtesy of Roberto Ricciuti

As the set progressed, the tone shifted further into shadow. Lightning effects and a costume change to a black gown underscored a series of more melancholic tracks. "Young and Beautiful" and " Summertime Sadness" stood out, the latter delivered in deep red lighting and met with one of the nights most vocal receptions.

The encore was a gentle surprise: a stripped-back cover of John Denvers "Take Me Home, Country Roads." Sung in unison with the audience, it brought a calm and nostalgic close to the evening.

Balancing spectacle with subtlety, the show was a reminder of Lana Del Reys distinctive presence in modern music.

Review by Sara Law, photography by Roberto Ricciuti.

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