Upon a backdrop of pseudo-social media and music videos on giant screens - like an angel - Katy Perry came flying in above the stage, hanging from wha
Read MoreOn a night that will be talked about for years to come, Iron Maiden brought their world tour to Glasgow - a show so charged with energy and spectacle that it was hard to believe it was a Monday. With Paris as the opening backdrop, and a nod to the seedy underworld of London later on, this was more than a gig - it was a full-blown heavy metal opera.
Kicking things off with UFOs "Doctor Doctor", the tone was set before Maiden even took the stage. Then came the relentless onslaught - there was no let-up from the off. Bruce Dickinson didn't just arrive; he exploded onto the stage, screaming, yelling, and commanding the night like a metal maestro. He's still hurling his mic stand into the air like it's 1985, and the band behind him is as explosive and agile as ever - a miracle of rock stamina.
Despite being 50 years into their journey, Iron Maiden show no signs of slowing down - in fact, they look like they're just getting started. "We plan to go for 50 years more," Dickinson teased, and judging by this performance, there's no reason to doubt him.
The stage design was staggering. From ancient Egypt to pirate ships, to moonlit gothic landscapes, each scene shift was a jaw-dropper. One moment you're in Cairo, engulfed in flames and masks, the next, you're thrown into a gallows pole cage or caught up in a circle pit during "Run to the Hills." It's pure theatre, drenched in pyro and fire, guitar solos that fused seamlessly, and production levels that border on cinematic.
Dickinson wasn't just a frontman - he was a conductor, ringleader, and puppet master, orchestrating chaos with just a shout. "Get jumping!" he yelled - and the entire crowd, already in the palm of his hand, obeyed without question.
A special shoutout to the band's boundless energy: whether it was guitarists throwing their instruments around their bodies, or pulling off classic rock god poses with a leg perched high on a speaker stack, they proved age is just a number (helped by, perhaps, a little yoga).
The Scottish flag made its rightful appearance, earning a deafening cheer from the home crowd. And as ever, Simon's minimal drum kit offered a rare treat - a clear view of the man behind the beat (finally!).
The Setlist? Legendary:
Doctor Doctor (UFO cover)
The Ides of March
Murders in the Rue Morgue
Wrathchild
Killers
Phantom of the Opera
The Number of the Beast
The Clairvoyant
Powerslave
2 Minutes to Midnight
Rime of the Ancient Mariner
Run to the Hills
Seventh Son of a Seventh Son
The Trooper
Hallowed Be Thy Name
Iron Maiden
Encore:
Churchills Speech
Aces High
Fear of the Dark
Wasted Years
By the time "Fear of the Dark" played under a haunting moon visual, and "Wasted Years" brought the curtain down, the crowd was spent but euphoric. This wasn't just a concert. It was a masterclass in how to own the stage, ignite a crowd, and cement a legacy.
Long live Iron Maiden.
Review by Craig McGee, photography by Stewart Fullerton.
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